Orphans

Call them what you will, what I will go with is “Orphans”.

I have a handful of posts that have lingered “on deck,” so to speak, that are, by themselves, sad little bits that were never completed, or, for whatever reason, didn’t pass muster with Tattoosday’s editorial board.

However, by packaging them together, I can cross them off my list once and for all, and move on. A Spring Cleaning, if you will.

So let’s get down to business:

Last March 25, I posted this New York’ish piece on Jonathan. A few days later, Jonathan got another tattoo and sent me a preliminary photo:

I asked him if he could send me a better photo of this pretty awesome owl tattoo. I asked again at the end of April, and again at the end of May.  I followed up again in October, at which point Jonathan said he would send me a new photo soon.

Look, things happen, and I hardly see Tattoosday as the center of the universe. There comes a time, however,  when I’m going to have to assume that it’s fallen by the wayside, and move on. This means, of course, that Jonathan will email me a crisper photo tomorrow.

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At the end of last April, I ran into a guy named Nick on the West 4^th Street subway platform. I snapped this photos:

The reason I balked at posting this originally was because the piece is a cover-up of a cross, and the original tattoo is fairly visible in its new incarnation.

I was concerned that a stand-alone post would incur the wrath of the tattoo purists and the story that this was a memorial piece for Nick’s grandfather would be lost.

Thus, it ended up in Tattoosday’s home for Orphan Tattoos.

Thanks to Nick, nonetheless, for sharing it with us.

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Also last April, I met a guy named Johnny in Penn Station. I noticed as I was passing by  that he had script peeking out from under his shirt at the top of his chest and I handed him a flier and a card. In May, he sent me the following two photos and the accompanying description:

Hey Bill,

We met in Penn Station a couple of weeks ago. I finally got some pictures of a couple of my tattoos. Both of these were done by Krista at Empire Ink in Akron, OH. 

The pin-up girl was drawn by my grandmother when she was 16 for my grandfather while they were dating. The other was an original design.

The Latin quote at the top of the heart is a quote from Julius Caesar. It translates to "From the bottom of my heart". Thanks for the interest in the tattoos and letting me share. 
Johnny

Honestly, I don’t know why I didn’t post these originally. As time passed and the e-mail traveled to the bottom of my inbox, it became an out-of-sight, out-of-mind submission. Thanks to Johnny for sending these in originally, and for waiting so patiently to see them appear on the site.

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At the end of June 2011, I met a woman named Christina in Penn Station, whose ink did make the site a couple months later, here. At the time, she was accompanied by two other people, one whose name was Damion. I took a picture of Damion’s tattoo, but it never made the site, until now. Part of the reason Damion’s work never went live was due to the fact that it is an unfinished work, an orphan in more ways than one. Here’s the shot.

Damion loves these wings, calling them his “prize possession”.  Why are they unfinished? He credited the artist Carlos Alfonso at Rising Dragon Tattoo, formerly located under the Hotel Chelsea on 23^rd Street. But, Damion informed me, Carlos passed away. It’s not so easy to have another artist finish the work of a deceased tattooist. Damion’s not the only one who was so affected, as you might imagine. The story rang a bell with me, as I had also featured Carlos’ work in a 2009 post with the ink of performance poet Jackie Sheeler here.

A belated thanks to Damion for baring his back and showing off his wings in Penn Station!

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As summer waned, I had a couple of unsuccessful encounters in September, in which the quality of the photos I took were substandard, and e-mails to the contributors went unanswered.

For example, Chris shared this cool octopus on his leg: 

Can you tell it’s an octopus? There’s the issue. Chris’s leg hair and the glare of the sun renders this poor octopus almost invisible. It was inked by a Thai artist namedTong, working out of Tatudharma in Sydney, Australia. Chris was travelling and he “likes octopi,” recognizing that, “as far as invertebrates go, [they are] probably the most intelligent of them.”

In a weird twist of this orphan post, the Tatudharma web site indicates that the shop is closed permanently, a result of it having been firebombed last April. The artists can still be contacted through the website, however.

A couple weeks later, my camera was programmed on the wrong setting, so I ended up with these two washed-out shots of interesting tattoos:

The host of these pieces is Lindsey, a Southern Californian who had both tattoos inked in San Diego.

The plant was done about 8 or 9 years ago by an artist named Alethio.

“I had my boyfriend draw it,” she explained, “I told him I wanted a dictionary-style type of flower, so he kinda came up with a design, so it’s not an actual plant, it’s fictitious … I wanted something organic to be represented on me.”

The bird on her other arm was done by Gary at Ace Tattoo. “That was the beginning of a sleeve that never happened,” Lindsey said with a sigh.

Thanks to Chris and Lindsey for sharing their tattoos and for hopefully forgiving  my camera for betraying them.

~~

And last, but not least is this piece from December:

Jen acknowledged that it wasn’t done very well, but she said she had a good reason for getting it. I did send an email as a follow-up, but more than one reeks of desperation. Maybe one of these days Jen will find my card or flier and finally e-mail me back to explain what wanderlust means to her. Until then, we’re left with this orphan.

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Believe it or not, we still have a few 2011 photos left in the tank, but this entry takes out a good chunk of our backlog. Thanks for giving these orphans a home, even if its just for a minute or two.

This entry is ©2012 Tattoosday.

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Something Girly This Way Comes

I met Nadya one afternoon in the beginning of October in Borders on Penn Plaza.

She shared this tattoo, which covered up a date she had initially inscribed on her arm:

Nadya told me that she wanted something "girly".

What I found most interesting about this tattoo is that when I asked her who the artist was, she told me it was her father. I can't imagine tattooing my own daughter. I would be too nervous!

Thanks to Nadya for sharing this tattoo with us here on Tattoosday.

Shaina's Back Piece Blooms

A post-work errand had me walking down 6th Avenue to 23rd Street where, to my delight, I ran into Shaina, whose large back piece stopped me dead in my tracks. Lucky for me, and all of our Tattoosday readers, she had no problem sharing it with us here:

This piece is a cover-up (more on that later) and initially was born out of a desire for a large bunch of purple flowers. Shaina explained that, at six feet tall, her size can sometimes take the edge off of her feminine side. "I try as hard as I can to be girl-y," she said, and she embraced her floral design as "a sign of girliness".

As time passed, the whole tattoo, which Shaina estimates was composed in five four-hour sessions totaling twenty hours, took on additional elements. When her grandmother passed away, she added a memorial line for her ("In Loving Memory of Eleanor Vespie) along with the red carnations, which were her favorite flowers.

She later added the additional memorial on her neck, for her cousin Tasha.

The tattoo was created by Cliff Evans at Fuzion Ink in Norfolk, Virginia.

Of course, I had to ask about the tattoo she covered up. Shaina looked at me, and I'll give her points for honesty, she confessed, the original tattoo had been a portrait of the Icelandic singer Björk.

She looked at me. I looked at her. "Don't take this the wrong way," I cautioned her, but what would possess you to do that?" Shaina had good humor about it. Like a lot of eighteen-year olds, what seemed cool at the time, in retrospect seemed ill-chosen. But there are many amazing tattoos out there that might not exist had they not been needed to cover up an earlier, less memorable piece.

Thanks kindly to Shaina for not only sharing her lovely back tattoo with us here at Tattoosday, but for taking the time to chat so candidly about her body art.

Chris Honors His Mother with a Back Piece

Last weekend, while riding my bike along the Shore Promenade at the southern tip of Brooklyn, I spotted the back piece above.

Although it is not completed, Chris, to whom the tattoo belongs, was more then happy to share it with us.

The story of this tattoo goes back a bit. Chris explained to me that, when he was seventeen, his father took him to get a tattoo. He got a piece on the left side of his back. He recalls his mother being beside herself over this, upset that he had gotten a tattoo at such an early age.

You can tell from the photo that, on the left side, one of the wings is covering the previous tattoo. Eventually, one won't be able to tell it was there.


Chris' mother passed away several years ago and he began this back piece to honor her memory. The central figure is the religious icon from Mexico Our Lady of Guadalupe.

Not only is it a spiritual tribute, but it is a practical one in that it is covering up the tattoo that Chris so vividly recalls upsetting his mother.

This grand design has been a work in progress for three and a half years. Renee at Memphis Tattoo has been the artist working on the piece. Work from Renee at Memphis Tattoo (now called Top Shelf Tattoo) appeared previously on Tattoosday here.

Thanks to Chris for sharing his tribute to the memory of his mother with us here at Tattoosday!

Diablo Shows Off Her Tattoo on Hollywood's Biggest Night

Ok, so this is out of the theme, in that I am in no way involved with the photography of this tattoo. But it is a big story and so I thought I'd throw out some ink news.

Diablo Cody won the Oscar for best original screenplay last night, and she made the New York Post front page, along with her pin-up tattoo.

But there's more to this than meets the eye...

Click here to read about Diablo Cody's tattoo "drama".


She actually just recently had "Jonny's Girl" covered up. Actually quite a fine job...you'd never know it's a cover-up.

A little plug, here's her book:



You can buy it here.

3rd Avenue Festival, Bay Ridge, Part 6

The last of the 3rd Avenue Festival tattoos belongs to Tracy, who boasted a beautiful floral piece on the left side of her back.


It's a bright, colorful tattoo that definitely catches one's eye. This was inked about five years ago by Peter at Body Art Studios, whose work appeared previously here on Tattoosday, and can also be seen at the bottom of the page in the form of the cherub playing the green guitar.

What makes this piece particularly interesting is that it is a cover up, the first to appear (as far as I know) on Tattoosday.

When Tracey was 17, she got a wizard tattooed on her back. At first glance, you really couldn't tell and, one might argue, if she didn't disclose it was a cover up, it might not be even remotely visible. As it is, I think I see where the wizard was.

Tracy said that the tattoo was very similar to that of a woman she knew who had survived breast cancer. She had some scarring, and had a similar tattoo, which Tracey admired. This piece was inspired by this woman, and carries with it an extra meaning, as a result.

Seems appropriate, then, that this post was written and posted on Lee National Denim Day, one of the nation's largest fund raisers for the Susan G. Komen for the Cure fund.

Thanks to Tracy for sharing this beautiful tattoo!

So that wraps up the Third Avenue Festival tattoo onslaught. Stay tuned as I have two more tattooed volunteers in the pipeline, and it's unseasonably warm here in New York as the weekend approaches.