Mark's Dueling Sugar Skulls

On a Sunday back in July, I met Mark on the subway. He chose to share these tattoos among the many he has:

Full disclosure: it was this encounter that taught me an important lesson - my voice recorder doesn't do well on the subway.

I was able to ascertain that these companion pieces were inked with specific meanings. The blue tattoo on the right arm has the subtext of a break-up. Juxtaposed with that is the red piece which represents the rise of artistic expression.

These nearly-mirror image tattoos were credited to Shaun Carroll at Hod Rod Tattoo in Blackburg, Virginia.

Thanks to Mark for sharing these tattoos with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Leigh's Skull with a Mouthful of Blossoms

Last month, I ran into Leigh, getting off the C train at 34th Street in Manhattan. She estimates she has 40% of her corporeal canvas covered, and she offered me this tattoo on her left forearm:

We've had  a lot of sugar skulls here on Tattoosday, but everyone is different and unique. This one, inked by Myles Karr at Three Kings Tattoo in Brooklyn, stands out from the bow at the top of the skull, and the open jaw full of cherry blossoms, both items not generally associated with the traditional sugar skull design.

"I'm always talking," Leigh told me, "and it's always positive, so I wanted something that would keep the mouth open." She collaborated with Myles on the piece, saying she wanted a skull, but didn't want a "cliche," and pointed out it's also "kind of a take on the Suicidal Tendencies skull."

Thanks to Leigh for sharing this great tatoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Fernando's Trio of Whimsical Ink

I met Fernando a while back outside of Penn Station and he had a lot of work to share. He estimated that he had around thirty tattoos on his canvas, but we picked three to spotlight here on Tattoosday.

As a Star Wars fan, he couldn't resist this portrait of R2-D2:

The banner "YOU'RE MY ONLY HOPE" refers to the scene in the first movie, when Princess Leia sends a holographic distress message to Obi-Wan Kenobi via R2-D2 that ends, "Help me Obi-Wan Kenobi, you're my only hope."

Both the tattoo of R2-D2 and this one, were done by Evan at Revolver Tattoo in New Burnswick, New Jersey:

That is Megatron, the leader of the Decepticons in the Transformers franchise.

And thirdly, Fernando shared this take on a sugar skull:

This piece was tattooed by Mike Rivelry at Immortal Ink.

Thanks to Fernando for sharing a few of his dozens of tattoos with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Jessica: A Sugar Skull and Scream and Scream Again

In yesterday's post, I talked about meeting Corey and Jessica in front of Penn Station, and we featured two of Corey's tattoos. Today it's Jessica's turn. 

She praised to no end the tattoo artist who did this sugar skull, her friend Chris Handford at Perkins Road Parlor in Baton Rouge, Louisiana.

"They do a lot of traditional and he's originally a painter, so we just said, 'Do Whatever," and he drew up these awesome things ... he's actually a really new artist, but I would say already, skills-wise, far beyond a lot of people who have been doing it longer, especially in the South."

Jessica also shared this incredible piece on her right calf:

Jessica credited this tattoo to a different artist, Richard Hart, who currently works in Baton Rouge out of Art Addiction Tattoo Studio.

Jessica explained the story behind this interesting piece:

"[Richard Hart] is excellent at photo-realism. I found this ... it's from a movie called Scream and Scream Again (1970).

I just loved it and he drew it up on the spot ... I've never seen anyone just draw it, make a quick stencil, look at a computer, and then go off the picture itself. It looks exactly like the picture; I mean, it's insane. Insane. He's definitely awesome!"

It's always great to hear tattooed folk talk so exuberantly about how much they like their artists, and it was certainly nice to encounter some talent from a part of the country we don't see too often up here in New York.

Thanks to Jessica (and Corey) for sharing their tattoos with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Out With the Old.....

As we wind down 2010, and look ahead to 2011, I wanted to take care of one of my several loose ends from the past year.

Back in July, I met a guy named John on the D train. He had tattooed arms and we chatted a bit. He said he'd send me photos and he did a few weeks later.

I never posted the photos because the resolution was low, and when I tried to increase the size, they blurred. I was going to include these in the Christmas housecleaning post, but the work is just too good.

So hear you have them, small photos, but recognizably amazing:

I mean, what is there to say? This work is quite excellent. The koi, the tiger, the sailing ship, sugar skull, nautical stars - it's all quite a body of work!

The artist is Nacho, who appeared once before on the blog here. You can check out Nacho's work here. in New York, he tattoos out of Studio Enigma on Avenue U.

Thanks to John for sharing these amazing tattoos with us here on Tattoosday!

And thanks to all of our fans and contributors for making 2010 a successful year of inkspotting!

Sugar Skull Sunday: Hannah and Her Family

I met Hannah in Penn Station one afternoon after spotting this amazing sugar skull on her upper left arm:

Here is a broader glimpse of the tattoo:

Hannah has over twenty tattoos and told me she wanted this piece to have alot of different elements in it. The gold tooth was a must, because Hannah loves pirates.

Gold teeth in sugar skulls are not necessarily unusual. Chainsaws, however are a bit out of the ordinary:

The chainsaw, Hannah explained, is a tribute to her uncle, who is a lumberjack. And, she added frankly, the bottle is there to acknowledge her grandfather, an alcoholic.

This sugar skull was completed in two 2-3 hour sessions by Tim Barnes at Holeshot's Premium Tattoo & Piercing in Amherst, Massachusetts. Tim has moved on to Florida, according to Hannah, but I haven't been able to identify where he is currently working.

Readers can see all of the sugar skulls previously posted on Tattoosday by clicking here or on the Sugar Skulls tag at the end of the post.

Thanks again to Hannah for sharing her sugar skull with us here on Tattoosday!

Claire's Sugar Skull Celebrates Her Grandmother's Life

I met Claire last week, a couple of buildings down from where I work in Manhattan. I first noticed some script pieces she had on her inner wrists, but she unveiled this beauty of a sugar skull for Tattoosday.

She had this inked on the inside of her left bicep as a memorial to her grandmother, who had passed away. One of her favorite Catholic holidays had been the Day of the Dead, and Claire saw this design as a fitting tribute to her. Although sugar skulls come from Mexican culture, their root is in Catholicism.

People see sugar skulls in many different ways (see previous sugar skulls posted on Tattoosday here), and Claire sees them as celebrations of life, which made the piece so fitting as a memorial.

This was inked by Alex Franklin at Brooklyn Ink. See other work from Brooklyn Ink on Tattoosday here.

Claire is a talented photographer whose work can be seen on her website here.

This is just one of 17 tattoos Claire has. See three more "small" pieces she has here.

Thanks to Claire for sharing her work with us here on Tattoosday!

An Elaborate Sugar Skull Reminds Chris That Death is Part of the Fabric of Life

Last Friday, I did my civic duty and served jury duty for Kings County Supreme Court. We were assembled and shown a video. They collected our cards and the first group of 30 citizens were called. I was among them. A court officer walked us several blocks to a different building. We passed through the lobby and broke into small groups to enter the elevators up to the 19th floor. In the elevator, I noticed I was standing next to a guy with with sleeves rolled up to mid-forearm. His right arm had an amazing sugar skull tattooed on it.

As luck would have it, the tattooed individual sat next to me on a bench outside a courtroom while we waited. And waited. And waited. Fortunately, we had something to talk about: tattoos (with a little surfing thrown in).

Chris and I talked for over an hour. Then, we were dismissed. No longer needed. Three hours of jury duty rather than three days. Since my camera had to be checked by security at the main courthouse, Chris walked back with me and let me take a couple of shots of his sugar skull.

This tattoo was inked by Adam Hays at Red Rocket Tattoo. There have been many sugar skulls posted here, but this one is among the most intricately done. The detail is phenomenal.


Chris, who is heavily inked, values this tattoo because the sugar skull's symbolism reflects the fact that he doesn't like to mourn death. It is a part of the natural cycle of life, and this piece helps him deal with life's problems.

He followed up with an e-mail expanding on his philosophy:

"...In my childhood/teenage years, a lot of close friends and family passed away in a short period of time - and yes - I was devastated, but couldn't just tie myself up in the mourning process, because that's what people do - they live and they die. And when I was first introduced to the concept of the sugar skull and it's meaning, [I came to understand] it's really all about embracing the power of death into the fabric of life. The symbolism of the sugar skull to me is kind of a way of transforming the painful 'miseries' of death into a source of nurturing and internal strength. It's a way for me to cherish my fallen dead and a way for their memory to live on in me (or, on me, for that matter). In any case, I feel that it's kind of ingrained in our culture that we need to feel grief and despair when someone dies, but you don't always have to follow the trend. The sugar skull is a way to remember, honor, and feel closer to the dead. And that's what it reminds me of each time I see it."

For prior posts with sugar skulls, click here.

For prior posts with work from Red Rocket Tattoo, click here.

Thanks to Chris for sharing his Sugar Skull tattoo here on Tattoosday!

Tattoos from the Blogosphere: Mat's Take on the Sugar Skull

Everyone remember Mat? His ink has appeared previously on Tattoosday here and here. Well, he has been a lean, mean tattoo-accumulating machine. Remember the infinity symbol on his wrist? It has a new neighbor:


Well Matt hat some might awesome work, and this piece just adds to the oeuvre of his canvas.

This is what is known as a Mexican sugar skull (a common recurring element at Tattoosday - in fact I just shot a new one on yesterday that will make its way here next week). Since Mat is currentl residing in Texas, let's let him explain this piece (with my scant editing, of course)...

It is a sugar skull, yes. Any work done on my forearms is significant to my son [Jack], and that's about it...[Jack's name is tattooed on the opposite wrist]

Since El Día de los Muertos [The Day of the Dead] is celebrated November 1 & 2, and Jack was born on November 1, I thought it would be fitting as I mulled over more and more the significance of the first day in the Day of the Dead celebration. The strange part is that the celebration on the first day is meant to honor the deceased infants and small children, whereas the second day is in honor of grown-ups/adults.

Also, we've noticed Jack at a super young age responsive to non-existent beings, as if he was communicating or interacting with something that wasn't there. It is said that during the Day of the Dead, it is easier for the departed to visit and communicate with the living.

After learning that, and remembering how focused he was as an infant on these things that I really wasn't able to make sense of, it all tied itself together.

Since it basically wraps my forearm, it's kind of hard to see how it is bookended by a rose on each side, ocher-shaded, and footnoted by a traditional red rose with okra folds.

This was also another piece by Travis Stanley at 713 Tattoo Parlour in Houston, and was tackled as we went along. I enjoy working like that- researching with the artist and maintaining the level of comfort to develop a meaningful piece that sometimes only makes itself apparent after a day or so of life on the body.

The bizarre color scheme and the bluish brain matter seen behind the top of the piece, behind the red cracks in the skull, are meant to convey the playfulness of a candy skull, but also to introduce a slight feeling of discomfort or uncertainty when a closer look is taken.

Thanks to Mat for sending this along, and giving us a behind-the-scenes perspective of the piece. We can always rely on Mat to get us to look beyond the tattoo and come to a better understanding of the thought process, as well as the creative instincts, that helped craft his body art.

The First Two Elements of Omar's Sleeve

I was sitting in my local coffee establishment Sunday morning when I overheard some words that got my attention. Among the words uttered were “traditional,” “sleeve,” and “work”. I looked up to see a guy talking to the barista. He had a tattoo on his wrist. I waited until he was done talking to the guy behind the counter and spoke up when he walked by.

His name is Omar and he has two tattoos, both on his inner right forearm:


His first one is the nautical star, definitely a traditional piece:

He explained that, as he understood it, the nautical star tattoo is a common piece that represents a star guiding a sailor home on the right path. He had flames added to symbolize change, as it so often does in tattooing.

This was not inked at any shop, but by one of Omar's friends who is just learning the art of the tattoo. He pointed out that the line work was not perfect, but I wouldn't have noticed it without a harder glance.

The second piece is a traditional sugar skull, very similar to the one that appeared in Tattoosday's "Rad Tattoo from Nebraska" post:


Omar had first gone into Brooklyn Ink and discussed his second tattoo it was there that the artist recommended that he should stay traditional to be consistent with the nautical star.

He ended up in SoHo at Whatever Tattoo II where he had the sugar skull added. I'll be frank, I thought that the design was just a Day of the Dead piece and only recently learned of the significance of the sugar skull. These items are usually associated with the Mexican Day of the Dead holiday, and are made specifically for the ocasion using colored sugar. In the context of the tattoo they represent the dichotomy of life and death. This tattoo is only about two weeks old.

Omar says he plans to have a full sleeve dedicated to traditional tattoo symbols. He next hopes to add to the background of the skull with some flowers and other designs.

Thanks to Omar for his contribution to Tattoosday!

Rad Tattoos from Nebraska

There are no defined rules for asking folks to volunteer for Tattoosday, but I have alluded to some personal guidelines, like the reluctance to interrupt people who are talking, or my tendency to select individuals who are stationary and generally alone. I have also said I will not follow people. Too creepy, generally speaking.

However, when something spectacular presents itself, all bets are off.

Friday morning, around 11:30 am, I was facing North on the southwest corner of 34th Street and 6th Avenue, on the outskirts of Herald Square, when I saw a heavily-tattooed woman across the street, walking with a guy, heading West. When the light changed, I had already decided to go take a closer look.

About half-way down the block, in front of Macy's, I caught up and without hesitation, tapped her on the shoulder and interupted her discussion with her companion. What inspired me to such boldness? Why this, dear readers:


Although not a completely finished back piece, it was breathtaking, especially if one admires quality ink. Click on the photo to enlarge. She also had tattoos running on both arms as well, neither of which I photographed.

I did my basic introduction and she was immediately receptive. Her name was Jill and she hailed from Nebraska.

After agreeing to participate, I asked her to offer me a piece that she felt most sentimental about. She had a hard time answering. I elaborated, "What one do you have the best memories about?" She selected the one I would least likely have chosen, but I was thankful that she was letting me add her to Tattoosday.

At the top of her right foot, at the bottom of the leg, she had the word "Rad" tattooed.

Jill explained that she and five friends had gone out together and each had a word inscribed on them permanently. The memory of the event clearly had an impact on her. When I asked "Why RAD?" She shrugged, "It's just a word I liked. One of my other friends had gnarly tattooed on her neck."

The tattoo was done in Omaha, Nebraska at Liquid Courage Tattoo and Piercing by the artist Jason Brown.

She said technically she only had 6 tattoos in all. She counted her 2 sleeves as one apiece. And I'm guessing she counted the back as one whole as well, despite the many components.

Well, I didn't want to take up too much of her time, standing in the sidewalk. In fact, while chatting with her, a couple stopped and the woman complimented her on her tattoos. With art like this, I'd imagine she gets that a ton!

I asked if I could take a shot of her back, she agreed. I thanked her and ambled off. I did notice when I uploaded the photo to the home computer later that the back piece still needs a little coloring which might be why she didn't offer it up right away as the tattoo I should photograph.

Of course, I want to dwell on the back a little longer. The script states "Traveler to the Grave".
I will take a stab at interpretation and attribute it as a reference to the lyrics of "How Can Anybody Possibly Know How I Feel?", a song from Morrissey's 2004 album You Are the Quarry:

But even I, As sick as I am, I would never be you
Even I, As sick as I am, I would never be you
Even I, Sick and depraved, A traveler to the grave
I would never be you, I would never be you

I also love the image on the neck, which is traditionally known as a calavera, attributed to the Dia de los Muertos, or the Day of the Dead in Latin American cultures.


The heart on the left side of the back is, I am surmising, a tribute to her grandfather. The strap of Jill's top covers up the first date partially, but I am leaning toward 1927-2004 as the span at the bottom of the heart.

Thanks to Jill for so kindly sharing her art with me! If you're reading this, Jill, and feel like sending me any shots of your sleeves, feel free to e-mail me. I hope you had a wonderful trip to New York City. Thanks for brightening my day!