The Tattooed Poets Project: Erica Mena

Among this year's Tattooed Poets' submissions, this is one of my favorite photos:

Photograph by Julie Chen

This was submitted by the poet Erica Mena, whose tattoo was inspired by the great Pablo Neruda.

Erica gives us the detail behind these wonderful tattoos:

 "This is my most intimate tattoo, my Neruda tattoo: 'Love is so short, forgetting is so long.' It's a full line (punctuation included) from Poem XX of Neruda's Twenty Love Poems and a Song of Despair in translation by W.S. Merwin. The fish in concentric circles is the symbol printed on all of Neruda's books from mid-way through his career, and was drawn from the bronze statue at his most famous house in Isla Negra. The other two images were drawn by the tattoo artist, in response to two other lines from the same poem: 'The same night whitening the same trees. / We of that time are no longer the same.' and 'Write, for example: the night is shattered / and stars shiver blue in the distance.' The design and work were done by Ram at Fat Ram's Pumpkin Tattoo in Jamaica Plain, Massachusetts. 

I read Merwin's translation of Neruda's Twenty Love Poems when I was fifteen, and had that conversion experience, the moment when you realize this is what you want your life to be about. Not the sentiment, but the poetry. These poems, and this line in particular, convinced me that poetry can move between languages, times and places, freely and with no loss, when put into the right hands. When getting the tattoo, I considered getting the Spanish line: 'El amor es tan corto, el olvido es tan largo,' but chose the English because that was how I first encountered it. Out of all my tattoos it also hurt the most to get, fittingly I suppose--there was a moment where Ram was outlining the circles where it felt like my entire leg was on fire. Totally worth it."

I would add that I concur with Erica completely and offer up, as proof, my post over on BillyBlog in April 2008 here. I was running down my favorite poems for National Poetry Month and #28 was any of the poems in the book, and it just so happens I pointed to Poem XX as one shining example. The original edition translated by Merwin and illustrated by Jan Thompson is a must-have in anyone's library. But, I digress.

Erica offered us two poems, one of her own and one she translated. We'll share both:

(no subject) (spam poem #3)

good evening websit
Stop being a nervous wreck

I will like you to accept this token
So hard you can break an egg

hoping you will understand my point
this is not a myth

Every person dreams about meeting someone

~ ~ ~ 

Deus ex Machina

Throw the dice, Lord, your turn has come and it is winter. The trident is cornered, the mountains covered with a skin of ash. Lord, behold light’s song here, your due, in the stillness of the sea and the pure discretion of the endless night. Behold your son, Fire, burning the whole surface with his touch and seducing the water with his gilded tongue. Look here, Lord, his stepsister Dawn, liquid hierophant, maker of shape. In their terrible language they tell of celebrations, obedience, sin. This time, Lord, throw to us the seed and the male of the healthier species. Don’t announce him by chance, because he will become a cry and rise up with the warm murmur of pavement, and once again be lost to us, punished, denied. Let none but you, oh Lord, wield the butcher’s knife this time; mature a chord when life ceases and rain unexpectedly cleanses the lovers’ yoked hips. Throw the dice, Lord, your turn has inevitably come. Cast them without fear from your wide hand, because luck’s twelve sides won’t wait, and the sky points towards multitudes and disaster. Throw them, Lord, your turn has come and it is burning summer.

Translation of “Deus ex machina.” From La invención del día [The Invention of the Day]. © José Mármol. By arrangement with the author. Translation © 2011 by Erica Mena. All rights reserved.
Published in Words Without Borders, November, 2011


Erica Mena is a poet, translator and print designer, not necessarily in that order. Her poetry and translations have appeared or are forthcoming in Vanitas, The Dos Passos Review, Pressed Wafer, Arrowsmith Press, Words Without Borders, The Iowa Review, The Kenyon Review, PEN America, Asymptote, Two Lines and others. She is the coordinator and co-host of Reading the World Podcast, a monthly conversation about literary translation. She is the founding editor of Anomalous Press.

Thanks to Erica for contributing this wonderful entry of the tattooed Poets project on Tattoosday!

This entry is ©2012 Tattoosday. The poem and tattoo are reprinted with the poet's permission. 


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Steve's Zombie Apocalypse - In Progress

A couple weeks back, on an unseasonably warm and sunny February day, I spotted Steve on Penn Plaza, wearing a short-sleeve shirt, with some pretty cool ink peeking out from his arm.

Intrigued, I approached him, and started up a conversation about his tattoos. He showed me several pieces, including this, a back piece that is in progress:

Take a closer look - this is pretty cool. I spoke to Steve at length about his work. He had recently left the U.S. Marines, where he had been stationed overseas in Japan. It was there that he chanced upon an artist named Aya, at a shop called Silent Ink, located in the city of Iwakuni.

As Steve, explained it, Aya is a deaf-mute (thus the shop name) and he became a huge fan of her work while serving in Japan. "It's a full zombie apocalypse scene," he told me, and he plans to fly out to Washington State when Aya next travels to see her fiance in the U.S., so she can complete the work.

I always defer to the contributor, as to whether they want to share work in progress, and Steve had no qualms about letting us see this early stage of the back piece. I was able to get a closer look at the completed sections:

I just love the colors and shading behind the tree that borders the upper right arm:

Steve estimates that she has already spent approximately 38 hours on his canvas over several sittings. "I like to sit for a long time," he told me.  I certainly look forward to hearing back from him when Aya has completed this work!

Thanks to Steve for sharing his ink with us here on Tattoosday!


This entry is ©2012 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Ariel's Elm: Rising Upward, but Steadfast

I met Ariel last month in the soon-to-be-shuttered Borders bookstore on Penn Plaza and of her three tattoos, she shared this tree on her upper right biceps:

Ariel explained that this tattoo

"was originally an actual photograph of a maple tree, but it was too difficult - you can see the shading is relatively delicate for it ... it looked better with a cloudier image ... so it looks more of a cherry blossom but it was originally a maple...

As for the reason she included the roots of the tree in the design, she specified,

"I really wanted it to be something that represents being rooted and grounded and steadfast, but still growing upwards and moving towards the heavens, something that is strong and can withstand the wind, but is adaptable and changes with the seasons ... so it's just kind of, who I would like to be."

She credited Randall Muntz at Divine Machine Tattoo in Buffalo, New York with this work. Coincidentally, Randall started full-time (according to their website) at Body Electric Tattoo in Hollywood, California, just this week.

Thanks to Ariel for sharing her lovely tree tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Brian's Mat-tree-monial Tattoo

Late last month, I met Brian on the 34th Street A platform and he shared this amazing tattoo:

The piece was relatively fresh, having been inked only a couple weeks before.

He explained that this tree represents the Tree of Life. He alluded to the roots that spread out, firmly symbolizing family.

Brian also explained that it was an investigation piece: he added a key, hanging from a branch. This symbolizes his desire to unlock the meaning of life.

What's doubly special about this tattoo is that it is also a marriage tattoo. Brian's wife has a similar tree on her right arm (Brian's is on the left), only with cherry blossoms instead of a key, and a baby in the design as well.

The couple are linked not only by their vows, but by their similar ma-tree-monial tattoos. Sorry, I couldn't help it.

The tattoo is by Kaz at Brooklyn Adorned. Work from Kaz has appeared previously on Tattoosday here. And this tag, links all previous Adorned work on the blog.

Thanks to Brian for sharing this amazing tattoo with us here on Tattoosday!

Amanda's Tree of Strength

It seemed quite appropriate that, as I had some guests over to celebrate my birthday, Amanda, a friend of my wife's, was sharing with me a tattoo she had inked as a 30th birthday gift from her husband.

I'm fairly certain that this is the first one of these tattoos appearing here and, when I say, "one of these," I am referring to the type of tattoo that looks like it has been painted on in a watercolor style.

This was inked by Adam at Electric Rose Tattoo in Olympia, Washington. According to Amanda, Adam has tattoo training in Japan, and this watercolor-style piece certainly evokes cherry blossoms.


Amanda elaborated on the origins of this tattoo. In 2001, she was dating James, who would eventually be her husband. She had become pregnant and suffered a miscarriage in September, and this experience, after they had been dating for only seven months, was very traumatic for them.

She has other tattoos (this one was number six), and she wanted something to mark the moment, to memorialize the difficulty of the situation that was such a touchstone for emotion at the time. As the years passed and she thought of the occasion for this tattoo, searching for what she thought was the appropriate art to base it on, she envisioned a tree from which to draw her strength.

Then, in 2004, she found the image upon which the tattoo was based, on a thermos, of all places. Amanda knew instantly that this was the art she wanted on her back. She finds that it symbolizes the rebirth of her self and represents what could have been, had she not miscarried. She recalls that this was more painful than any of the other tattoos she has (three on her ankle, two on her hip) and that the emotion behind the piece helped her transcend the pain as part of the healing process.

It's a beautiful tattoo with deep meaning, and I thank Amanda for sharing it here on Tattoosday!

Erin's Tattoos for Loss and Healing

Back in Tattoosday's infancy, when it was a weekly feature over at BillyBlog, I neglected to ask someone about their tattoo, and it had continued to nag at me, months later.

I had just come back from taking pictures of James's tattoos (here) and stopped in Rite-Aid for something. Ahead of me in line, a woman had an incredible black and grey piece that was complex and, I was sure, had great meaning.

But I had yet to successfully get pictures from someone that I didn't know previously, although I did manage to break the barrier and compliment her on the work, which to me was a small
victory in itself.

So, last Saturday, I was walking down my block when two women passed me and there it was, there she was, and this time, after 9 months of talking ink with complete strangers, I had no problem asking what this was all about.

Erin even vaguely remembered my compliment in Rite-Aid from the summer before. Her right biceps actually is comprised of three pieces, all of them inked by Todd at Hardwire Tattoo in Wilmington, North Carolina.

Her first element is the phrase "Until we meet again".
Erin's father passed away when she was very young, and the quote is a phrase that resonated with her in an obituary written for her father by one of his close friends.

Words can be healing, across the years, and the phrase is a powerful reminder of her father's memory.

The piece was enhanced by the tree and, an element that I didn't notice when I first saw the tattoo months ago, the dandelion, which is on the inner part of the arm.


Erin loved the tree design and had it placed in a way that the "until we meet again" phrase runs in the foreground, creating the impression that they were part of the same design.

The dandelion is a flower that is often associated with childhood. What kid hasn't made a wish and blown on a recently-plucked dandelion to watch the seeds scattered by the breeze? The dandelion on the inner arm wraps around and the seeds blowing away actually drift into the other element of the tattoo, making the two pieces become one.

The part that, I believe, binds the whole tattoo together is the piece above the tree:

This is a depiction of a heart that has been ripped in two. However, it has been mended, held together by thread that binds it. Note the needle still sticking out of it in the upper left corner of the heart.

The image is inspired by the fact that Erin's mother was a seamstress by trade, and despite the tragedy of her husband's (Erin's father) death, she kept the family together. It's a nice tribute and a fitting homage to the woman who held the family together, in the face of great loss.

Many thanks to Erin for sharing her amazing tattoos with us here on Tattoosday!

Kyle's Take on Heaven and Hell

I initially just saw the bottom of this tattoo, an inverted cityscape poking out from under a sleeve. Quite unusual, so I had to stop Kyle and ask. We were on 7th Avenue, and I was using the borrowed Sony Cyber-shot of a co-worker (thanks, Tina!). Kyle rolled up his sleeve and blew me away.

The detail and color of the tree were breath-taking. And if you click on the initial photo to enlarge it, the detail in the buildings is astonishing, with color on the billboards and light emanating from some of the tiny windows.


The concept behind this piece, Kyle explained, is that the country is Heaven and the city is Hell, separated by a layer of purgatorial clouds. He was raised in upstate New York, far from the five boroughs of New York City and its eight million-plus inhabitants.

This work was inked by Myles Karr at Saved Tattoo in the Williamsburg section of Brooklyn.

Thanks to Kyle for sharing this piece with Tattoosday!

Tani has 15 tattoos - Here's One!

I rain into Tani on 5th avenue in Bay Ridge on Thursday. She has multiple tattoos, on her arms, peeking out from the edges of her shirt on her back, and many that were out of sight.

She offered up this piece on her left biceps, although she admitted her favorite tattoo is on her ribs. Understandably, that wasn't seeing sunlight on a crowded street.

Nonetheless, the one she shared was nice:


This piece was tattooed by Jennifer at Ink Masters on 3rd Avenue in Bay Ridge circa 1998.

Tani indicated that she is half-Chinese, and that the Asian aspects of the design appealed to her. The two main elements are the phoenix and the tree, which she identified as a Japanese Maple.

People with a lot of tattoos, I have discovered, either know exactly how many they have, or aren't sure, and have to try and figure it out. When I asked Tani the inevitable question, she did not hesitate. Fifteen in all.

"So," I asked, "are you getting any more?"

"No" she laughed, "I'm pretty much done."

Thanks to Tani for sharing her phoenix and maple with Tattoosday!